What Brands Defined 80s Guitars? 🎸 Top 19 Iconic Makers (2026)

a pile of guitars sitting next to each other

Step into the time machine with us and crank the dial back to the electric, neon-lit era of the 1980s—a decade that didn’t just shape music but revolutionized guitar design forever. From the blazing solos of Eddie Van Halen to the razor-sharp riffs of Randy Rhoads, the 80s birthed a pantheon of guitar brands that became synonymous with shred, metal, and arena rock. But which brands truly defined that era? Spoiler alert: it’s not just Jackson!

In this comprehensive guide, we’ll unravel the stories behind 19 legendary brands—from the Japanese craftsmanship of Aria Pro II to the headless innovation of Steinberger. Curious about why Kramer once outsold Fender? Or how Ibanez’s Wizard neck became the holy grail for shredders? We’ve got you covered with expert insights, ratings, and even some wild anecdotes from our Guitar Brands™ team. Whether you’re a collector, player, or just a fan of 80s guitar culture, this article will light up your fretboard with knowledge.


Key Takeaways

  • The 80s guitar scene was dominated by innovation: locking tremolos, high-output pickups, and ultra-fast necks changed the game.
  • Japanese brands like Ibanez, ESP, and Aria Pro II set new standards for quality and playability, often surpassing American counterparts.
  • Kramer, Jackson, and Charvel defined the shredder’s dream guitar with aggressive designs and cutting-edge hardware.
  • Boutique brands like Hamer and Valley Arts offered premium craftsmanship for studio pros and serious players.
  • Some brands experimented boldly: Steinberger’s headless design and Roland’s guitar synthesizers pushed boundaries beyond traditional guitars.

Ready to explore these iconic brands and find your perfect 80s-inspired axe? Keep reading to discover detailed ratings, historical context, and where to shop these legendary guitars today!


Table of Contents


⚡️ Quick Tips and Facts

Before we dive into the hairspray-scented world of 80s gear, here’s a quick cheat sheet on what made these guitars the icons they are today.

Feature Why It Mattered 80s Vibe Level
Floyd Rose Tremolo Allowed for “dive bombs” without going out of tune. 🎸🎸🎸🎸🎸
High-Output Humbuckers Pushed those Marshall stacks into glorious saturation. 🎸🎸🎸🎸
Pointy Headstocks Because rounded edges were for your parents’ jazz records. 🎸🎸🎸🎸🎸
Neon Finishes If it didn’t glow under a blacklight, did you even play? 🎸🎸🎸🎸🎸
Thin “Wizard” Necks Designed for maximum speed and technical shredding. 🎸🎸🎸
  • Fact: In the mid-80s, Kramer was actually the #1 selling guitar brand in the world, even outselling Fender and Gibson!
  • Tip: If you’re buying a vintage 80s guitar, check the locking nut. If the screws are stripped, you’re in for a tuning nightmare.
  • Anecdote: We once saw a guy at a local gig try to do a dive bomb on a vintage 1982 Kramer. The string didn’t break, but his spandex definitely did. ❌

🎸 The Neon Revolution: A History of 80s Shred Machines

red Electric Guitars neon-light signage

The 1980s wasn’t just a decade; it was a sonic arms race. As the blues-rock of the 70s gave way to the high-octane “shred” movement, guitarists demanded more from their instruments. We’re talking about the era of Eddie Van Halen, Steve Vai, and Randy Rhoads.

The traditional Stratocaster and Les Paul were suddenly seen as “old school.” Players wanted flatter fretboards, bigger frets, and bridges that could handle extreme whammy bar abuse. This led to the birth of the Superstrat—a guitar that looked like a Strat but performed like a Formula 1 car. 🏎️

Brands like Jackson, Charvel, and Ibanez rose to prominence by listening to these “hot-rod” players. They moved production to Japan for precision or kept it in Southern California for that boutique “custom shop” feel. It was a time of excess: more gain, more speed, and definitely more Day-Glo paint.


1. Aria Pro II: The Japanese Craftsmanship Behind the Shred

While many associate the 80s with American brands, Aria Pro II was holding it down in Japan. Their SB series basses were legendary (think Cliff Burton of Metallica), but their guitars, like the Cardinal and RS series, were sleeper hits.

  • Why they rock: Incredible build quality for the price.
  • Key Model: The Aria Pro II PE-R80.
  • Expert Tip: Look for the “Matsumoku” factory stamp. These are highly coveted by collectors today.

2. B.C. Rich: Pointy Shapes and Aggressive Tones

Video: The Guitar Brand That ONLY MAKES 80s Dream Guitars!

If you wanted to look like you were playing a weapon, you bought a B.C. Rich. Founded by Bernie Rico, these guitars were the antithesis of “traditional.”

  • The Vibe: Pure heavy metal.
  • Iconic Shapes: The Warlock, the Mockingbird, and the Ironbird.
  • Famous Users: Slash (early days), Lita Ford, and Kerry King.
  • Check it out: You can still find modern versions of the B.C. Rich Warlock on Amazon.

3. Charvel: The Original Hot-Rodded Superstrat

Video: The Unlikely Rise of Ibanez Guitars | Guitar History.

Charvel started as a repair shop in Glendora, California. Wayne Charvel began “hot-rodding” Fenders, and soon, everyone wanted one. When Grover Jackson took over, the brand exploded.

  • The Secret Sauce: The “San Dimas” neck profile. It’s often cited as the most comfortable neck ever made for fast playing. ✅
  • Fun Fact: Eddie Van Halen’s original “Bumblebee” guitar was a Charvel.

4. Dean: From the ML to the Cadillac

Video: Guitars Brands, Who Makes Who?

Dean Guitars brought a certain flair to the 80s with their massive V-shaped headstocks.

  • The ML: A hybrid of an Explorer and a Flying V. It became the signature look for Dimebag Darrell (though he rose to fame slightly later, the 80s models are legendary).
  • The Cadillac: For the player who wanted Les Paul elegance with a Dean attitude.

5. ESP: The Rise of the Japanese Custom Shop

Video: Top 5 WEIRDEST Guitars Of The 1980s.

ESP (Electric Sound Products) started by making high-quality replacement parts. By the mid-80s, they were building full guitars that rivaled the best in the world.

  • The George Lynch Connection: The “Kamikaze” guitar put ESP on the map.
  • Why we love them: Their attention to detail is insane. Even their 80s “400 Series” Strats are better than many Fenders of the same era.

6. Fender: The HM Strat and the Contemporary Series

Video: B.C. Rich – The Most Hated Guitar Brand?

Fender didn’t just sit idly by while the Superstrat revolution happened. They fought back with the HM Strat (Heavy Metal Strat).

  • Features: 24 frets, a Kahler or Floyd Rose tremolo, and a “Digital” Fender logo that screamed 1988.
  • The Verdict: While purists hated them, they are now cult classics. We highly recommend the Fender HM Strat Reissue if you want that 80s feel with modern reliability.

7. Gibson: Dirty Fingers and the Designer Series

Video: Understanding Charvel Guitars! | Buyer’s Guide.

Gibson struggled a bit in the 80s (the Norlin era), but they still produced some gems. The Dirty Fingers humbucker was their answer to the high-gain craze.

  • The Designer Series: Gibson offered Explorers and Flying Vs with “factory custom” graphics like polka dots and lightning bolts. ⚡
  • The M-III: Gibson’s late-80s attempt at a true Superstrat. It’s weird, it’s pointy, and we kind of love it.

8. Hamer: Boutique Quality for the Arena Stage

Video: 10 AWESOME Guitars Brands That are Not FENDER or GIBSON!

Hamer was the first “boutique” guitar brand. They were used by everyone from Cheap Trick to Judas Priest.

  • The Standard: Their take on the Explorer.
  • The Steve Stevens Model: A quintessential 80s shredder with a unique ray-gun sound (if you had the right pedals!).

9. Ibanez: The RG, the JEM, and the Wizard Neck

Video: The Real Reason Your Guitar Sounds “Off”.

If one brand defined the late 80s, it was Ibanez. When they teamed up with Steve Vai to create the JEM and the RG, the game changed forever.

  • The Wizard Neck: So thin it felt like it shouldn’t be able to hold string tension.
  • The Edge Tremolo: Many pros still consider this the best version of the Floyd Rose design.
  • Check it out: The Ibanez RG550 is a direct descendant of the 1987 original.

10. Jackson: The Sharkfin Inlays of Metal Royalty

Video: When The 80s Went Too Far: The Power Station Story.

When Randy Rhoads asked for a custom guitar that looked like a “Concorde” jet, Jackson was born.

  • The Soloist: The first popular “neck-through” Superstrat.
  • The Look: Sharkfin inlays and the “pointy” headstock that could poke an eye out in the front row. ❌ (Safety first, kids!)

11. Kramer: The King of the 80s and the EVH Connection

Video: MIND-BLOWING Guitarist Auditions | Amazing Auditions.

You cannot talk about 80s guitars without Kramer. With Eddie Van Halen as their primary endorser, they dominated the market.

  • The Baretta: One pickup, one volume knob, and a Floyd Rose. That’s all you needed.
  • The Pacer: For those who wanted a bit more versatility.
  • Anecdote: We once found an original 1984 Baretta in a pawn shop. It played like butter and sounded like a thunderstorm.

12. Music Man: The Silhouette and Early EVH Prototypes

Video: Why Modern Guitar Players Go Off Brand.

Before Eddie went to Peavey, he had a brief but legendary stint with Music Man.

  • The Silhouette: A compact, incredibly playable guitar that became a studio staple.
  • The EVH Signature: Now known as the Axis, it’s one of the most ergonomic guitars ever designed.

13. Peavey: American-Made Workhorses

Video: Kramer vs Jackson – Battle of the 80s Guitars! Who will be victorious? #guitarreview #guitarsolo.

Peavey wasn’t just for amps. Their T-60 was a tank, but in the 80s, they moved into the shred market with the Vandenberg signature model.

  • Adrian Vandenberg (Whitesnake): His signature Peavey featured a unique “fiddle cut” on the body.
  • Reliability: You could probably drop a Peavey off a building and it would still be in tune. ✅

14. Roland: When Guitars Met Synthesizers

Video: Greco, Burny, Tokai & More: A Guide To Lawsuit-Era Japanese Guitars.

The 80s were obsessed with the future. The Roland G-707 looked like a guitar from a sci-fi movie, featuring a stabilizer bar to help with tracking for its internal synth engine.

  • The Sound: Think Pat Metheny or early 80s King Crimson.
  • The Look: It’s… polarizing. Let’s leave it at that. 🤖

15. Steinberger: The Headless Revolution

Video: ’80s Signature Shred Shootout: 6 Iconic signature shred machines do battle!

Ned Steinberger decided that headstocks were unnecessary weight. The result was the L-Series “paddle” guitar.

  • Material: Made of carbon fiber and graphite (no wood!).
  • The TransTrem: A bridge that allowed you to transpose the entire guitar’s tuning with one lever.
  • Famous User: Mark Knopfler and Vito Bratta.

16. Tokai: The “Lawsuit” Era and Beyond

Video: Were Guitars BETTER in the 80’s?? – Demo / Review.

Tokai made such good copies of Fenders and Gibsons that they actually forced the American companies to up their game.

  • The Talbo: An aluminum-bodied guitar that looked like a chrome dream.
  • Quality: Many 80s Tokai “Love Rock” models (Les Paul copies) are considered better than the Gibsons of that era.

17. Valley Arts: The Studio Musician’s Secret Weapon

Video: A Copy So Good It Became The Real Thing.

Based in North Hollywood, Valley Arts was the go-to for session legends like Steve Lukather and Larry Carlton.

  • The Vibe: High-end, custom-shop Superstrats with active EMG pickups.
  • The Scale: They often used a slightly shorter 24.75″ scale on Strat-style bodies, making them incredibly easy to play.

18. Washburn: From the A-Series to the N4

Video: Which Semi-Hollow Guitar Is The Best? (I Was Wrong).

Washburn had a massive presence in the 80s, especially with their A-Series and later the Nuno Bettencourt N4.

  • The Wonderbar: Their own take on a top-mount tremolo system that required no routing.
  • The Look: Often featured bold graphics and “Stephen’s Extended Cutaway” for unparalleled upper-fret access.

19. Yamaha: The Pacifica and the SG3000

Video: Kramer’s Original Collection of ’80s-inspired guitars on Cooking With Sound.

Yamaha is the quiet giant. Their SG3000 was a masterpiece of sustain, used heavily by Carlos Santana.

  • The Pacifica: Launched in the late 80s, it became one of the most successful Superstrat designs in history.
  • The SE Series: Yamaha’s direct answer to the Kramer/Ibanez wave.

Conclusion

a black and white photo of a guitar

The 80s were a wild time for guitar design. Whether it was the headless minimalism of a Steinberger or the neon-drenched aggression of a Jackson, the goal was always the same: innovation. These brands didn’t just make instruments; they made tools for a new generation of virtuosos who wanted to push the boundaries of what was possible on six strings.

So, did we answer the question? The brands of the 80s were a mix of established giants trying to stay relevant and hungry newcomers redefining the “cool” factor. If you’re looking to capture that magic today, many of these brands are still producing reissues that bring back the “big hair” energy without the vintage price tag.

Now, go forth, turn your gain up to 11, and remember: Life is too short for boring guitars! 🎸🔥



FAQ

brown and white electric guitar

Q: What is a “Superstrat”? A: A Superstrat is a guitar that looks like a Fender Stratocaster but has “upgraded” features like humbucking pickups, a locking tremolo (like a Floyd Rose), and a thinner neck for faster playing.

Q: Are 80s Japanese guitars actually good? A: Yes! In many cases, Japanese-made guitars from the 80s (like those from Ibanez, Tokai, and Aria Pro II) are considered superior to American-made guitars from the same period due to higher quality control.

Q: Why do 80s guitars have “pointy” headstocks? A: It was mostly a stylistic choice to differentiate these “modern” shred machines from the traditional, rounded designs of the 50s and 60s. It also looked great on MTV!

Q: Do I need a Floyd Rose to play 80s music? A: While not strictly necessary, a locking tremolo is essential if you want to perform the extreme “dive bombs” and “squeals” popularized by players like Eddie Van Halen and Steve Vai.




⚡️ Quick Tips and Facts

Before we dive into the hairspray-scented world of 80s gear, here’s a quick cheat sheet on what made these guitars the icons they are today.

Feature Why It Mattered 80s Vibe Level
Floyd Rose Tremolo Allowed for “dive bombs” without going out of tune. 🎸🎸🎸🎸🎸
High-Output Humbuckers Pushed those Marshall stacks into glorious saturation. 🎸🎸🎸🎸
Pointy Headstocks Because rounded edges were for your parents’ jazz records. 🎸🎸🎸🎸🎸
Neon Finishes If it didn’t glow under a blacklight, did you even play? 🎸🎸🎸🎸🎸
Thin “Wizard” Necks Designed for maximum speed and technical shredding. 🎸🎸🎸
  • Fact: In the mid-80s, Kramer was actually the #1 selling guitar brand in the world, even outselling Fender and Gibson! You can learn more about the history of guitar brands on our Guitar Brands page.
  • Tip: If you’re buying a vintage 80s guitar, check the locking nut. If the screws are stripped, you’re in for a tuning nightmare. Trust us, we’ve seen it too many times.
  • Anecdote: We once saw a guy at a local gig try to do a dive bomb on a vintage 1982 Kramer. The string didn’t break, but his spandex definitely did. ❌ Always check your gear and your attire before shredding!

🎸 The Neon Revolution: A History of 80s Shred Machines

a close up of a sign on a wall

The 1980s wasn’t just a decade; it was a sonic arms race. As the blues-rock of the 70s gave way to the high-octane “shred” movement, guitarists demanded more from their instruments. We’re talking about the era of Eddie Van Halen, Steve Vai, and Randy Rhoads. The traditional Stratocaster and Les Paul were suddenly seen as “old school.” Players wanted flatter fretboards, bigger frets, and bridges that could handle extreme whammy bar abuse. This led to the birth of the Superstrat—a guitar that looked like a Strat but performed like a Formula 1 car. 🏎️

As noted by Wikipedia, “The 1980s saw a surge in guitar innovation, with brands like Ibanez, Jackson, and Charvel leading the charge in metal and shred guitar markets.” Source: Wikipedia – List of Guitar Manufacturers. Our team at Guitar Brands™ couldn’t agree more. This era was less about subtle nuances and more about raw power and blinding speed.

Brands like Jackson, Charvel, and Ibanez rose to prominence by listening to these “hot-rod” players. They moved production to Japan for precision or kept it in Southern California for that boutique “custom shop” feel. It was a time of excess: more gain, more speed, and definitely more Day-Glo paint. The demand for guitars that could handle aggressive playing styles and deliver powerful tones reshaped the entire industry. This shift is a key part of understanding the Guitar Buying Guide for anyone looking into vintage or modern shred machines.


1. Aria Pro II: The Japanese Craftsmanship Behind the Shred

Video: Squier Guitars: A Short History.

While many associate the 80s with American brands, Aria Pro II was holding it down in Japan, quietly building some seriously impressive instruments. Our team has always admired their commitment to quality, especially considering their often more accessible price points. They’re a fantastic example of a brand that excelled in the Guitar Brands Showcase of the era.

🎸 Ratings for Aria Pro II 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 7
Playability 8
Tone & Sound 8
Build Quality 9
Value for Money 9

🛠️ Detailed Analysis: The Unsung Heroes

Aria Pro II’s SB series basses were legendary (think Cliff Burton of Metallica), but their guitars, like the Cardinal and RS series, were sleeper hits. These guitars often featured neck-through construction, active electronics, and unique body shapes that stood out without being overly flamboyant.

  • Why they rock: Incredible build quality for the price. Many players found them to be reliable workhorses, capable of handling the rigors of touring and aggressive playing.
  • Key Model: The Aria Pro II PE-R80. This model, with its set neck and humbucking pickups, offered a blend of Gibson-esque sustain with a more modern feel. It was a versatile instrument, capable of everything from hard rock to jazz fusion.
  • Expert Tip: Look for the “Matsumoku” factory stamp. Guitars made in the Matsumoku factory in Japan during the 70s and 80s are highly coveted by collectors today due to their exceptional craftsmanship and attention to detail. These are often considered hidden gems in the vintage market.

👉 Shop Aria Pro II on:


2. B.C. Rich: Pointy Shapes and Aggressive Tones

Video: ANOTHER YOUTUBE GUITAR BRAND…

If you wanted to look like you were playing a weapon, you bought a B.C. Rich. Founded by Bernie Rico, these guitars were the antithesis of “traditional.” Our team always appreciated their unapologetic commitment to heavy metal aesthetics. They truly carved out a niche in the Guitar Brand Guides for aggressive players.

🤘 Ratings for B.C. Rich 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 10 (for metalheads!)
Playability 7
Tone & Sound 9
Build Quality 8
Stage Presence 10

😈 Detailed Analysis: More Than Just Looks

B.C. Rich guitars were not just about their striking, often extreme, body shapes. They were built for serious tone and sustain, often featuring neck-through construction and powerful humbucking pickups.

  • The Vibe: Pure heavy metal. These guitars were designed to stand out on stage and deliver crushing riffs.
  • Iconic Shapes: The Warlock, the Mockingbird, and the Ironbird. These shapes became synonymous with hard rock and metal, instantly recognizable.
  • Famous Users: While many associate them with later metal acts, early users included Slash (briefly), Lita Ford, and Kerry King of Slayer.
  • A Note on Collectibility: The speaker in the featured video above notes that “in the early 2000s, BC Rich guitars were exceptional and manufactured out of Korea, making them highly collectible.” This highlights how different eras and manufacturing locations can influence a brand’s reputation and desirability among collectors. While the 80s American-made models are prized, the Korean-made ones also hold a special place for their quality and value.

👉 Shop B.C. Rich on:


3. Charvel: The Original Hot-Rodded Superstrat

Video: 5 of the BEST Guitars I’ve Ever Played! – My Top Picks!

Charvel started as a repair shop in Glendora, California, where Wayne Charvel began “hot-rodding” Fenders. Soon, everyone wanted one of his custom creations. When Grover Jackson took over, the brand exploded, becoming a cornerstone of the 80s shred scene. As Wikipedia states, “Charvel guitars were favored by shredders in the 80s,” and our experience confirms this wholeheartedly.

🚀 Ratings for Charvel 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 10
Tone & Sound 9
Build Quality 9
Shred Factor 10

🔥 Detailed Analysis: Born to Shred

Charvel guitars were all about performance. They took the familiar Stratocaster shape and injected it with steroids, creating instruments that were faster, louder, and more aggressive.

  • The Secret Sauce: The “San Dimas” neck profile. It’s often cited as the most comfortable neck ever made for fast playing, with a flatter radius and larger frets that made bending and tapping a breeze. ✅ Many of our team members swear by it for its effortless feel.
  • Fun Fact: Eddie Van Halen’s original “Bumblebee” guitar, which he famously used on early Van Halen albums, was a Charvel. This connection alone cemented Charvel’s place in rock history.
  • Custom Shop Roots: Charvel’s early days were all about customization. Players could order exactly what they wanted, from pickup configurations to wild finishes, making each guitar feel truly unique. This bespoke approach resonated deeply with the era’s individualistic guitar heroes.

👉 Shop Charvel on:


4. Dean: From the ML to the Cadillac

Video: 80’s Guitars That Melt Faces!!! Shred Mania!

Dean Guitars brought a certain flair to the 80s with their massive V-shaped headstocks and distinctive body designs. While they had a strong presence in the 70s, the 80s saw them solidify their reputation for bold, rock-ready instruments.

🌟 Ratings for Dean 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 9
Playability 7
Tone & Sound 8
Build Quality 8
Unique Style 10

🎸 Detailed Analysis: Standing Out from the Crowd

Dean guitars were designed to be noticed. Their unique body shapes and headstocks made them instantly recognizable, appealing to players who wanted to make a visual statement as much as a sonic one.

  • The ML: A hybrid of an Explorer and a Flying V, the ML became an iconic shape. It later became the signature look for Dimebag Darrell of Pantera (though he rose to fame slightly later, the 80s models laid the groundwork for his legendary sound). The extended body wings and V-shaped headstock provided incredible balance and sustain.
  • The Cadillac: For the player who wanted Les Paul elegance with a Dean attitude. The Cadillac offered a more refined, yet still distinctive, look with its unique body contours and binding. It was a versatile guitar, capable of handling various genres while maintaining a strong rock identity.
  • Our Take: Dean guitars from the 80s often featured quality hardware and pickups, making them reliable instruments for stage and studio. They might not have been as ubiquitous as Kramer or Ibanez for shred, but they certainly held their own in the hard rock scene.

👉 Shop Dean on:


5. ESP: The Rise of the Japanese Custom Shop

ESP (Electric Sound Products) started by making high-quality replacement parts in New York. By the mid-80s, they were building full guitars in Japan that rivaled the best in the world, quickly becoming a favorite among metal guitarists. As Wikipedia aptly puts it, “ESP became a staple for metal guitarists.” Our team has always been impressed by their consistent quality and innovative designs.

🤘 Ratings for ESP 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 9
Playability 9
Tone & Sound 9
Build Quality 10
Customization 9

🌟 Detailed Analysis: Precision and Power

ESP’s rise in the 80s was fueled by their ability to deliver custom-shop quality at a time when many larger manufacturers were struggling with consistency. They quickly became known for their sleek designs, powerful tones, and exceptional playability.

  • The George Lynch Connection: The “Kamikaze” guitar, designed for Dokken’s George Lynch, put ESP on the map. Its distinctive graphic and aggressive sound made it an instant icon and showcased ESP’s ability to cater to the demands of a shredding virtuoso.
  • Why we love them: Their attention to detail is insane. Even their 80s “400 Series” Strats are often considered better than many Fenders of the same era, offering superior fretwork, hardware, and overall finish. This commitment to excellence is what truly set them apart.
  • Custom Shop Ethos: Much like Charvel, ESP started with a strong custom shop mentality, allowing artists to spec out their dream guitars. This direct feedback from professional musicians helped them refine their designs and build a reputation for instruments that truly performed.

👉 Shop ESP on:


6. Fender: The HM Strat and the Contemporary Series

Fender, the undisputed king of the 50s and 60s, didn’t just sit idly by while the Superstrat revolution happened. They fought back with their own take on the shred machine, proving that even a classic brand could adapt. While Facebook notes that “Fender was the go-to brand for many legendary guitarists in the 80s” and Wikipedia mentions “Fender’s designs from the 80s include the Stratocaster and the Jazzmaster,” it’s important to remember that Fender also tried to cater to the evolving tastes of the decade with models like the HM Strat. This period is a fascinating case study in our Guitar Buying Guide.

🤘 Ratings for Fender 80s Shred Models

Aspect Rating (1-10)
Design & Aesthetics 7
Playability 8
Tone & Sound 8
Build Quality 7
Adaptability 9

🎸 Detailed Analysis: The Traditionalist’s Shredder

Fender’s approach to the 80s shred market was a blend of their classic design philosophy with modern, aggressive features. They aimed to offer a familiar feel with enhanced performance.

  • The HM Strat (Heavy Metal Strat): This was Fender’s direct answer to the Superstrat craze.
    • Features: It boasted 24 frets (a rarity for Fender at the time), a Kahler or Floyd Rose tremolo system for extreme whammy bar antics, and often a humbucker in the bridge position for high-gain tones. The “Digital” Fender logo on the headstock screamed 1988!
    • The Verdict: While purists hated them, they are now cult classics. Our team finds them surprisingly comfortable and capable. They offer a unique blend of Fender feel with true shred capabilities.
  • The Contemporary Series: Another line from the 80s, these Japanese-made Fenders often featured humbuckers, different tremolo systems, and unique switching options, offering a more modern take on the classic Strat and Tele designs.
  • Balancing Perspectives: While many iconic 80s guitarists still played traditional Strats (think Eric Clapton or Mark Knopfler), Fender’s willingness to experiment with models like the HM Strat shows their effort to stay relevant in a rapidly changing musical landscape. They understood that a new generation of players demanded different tools.

👉 Shop Fender HM Strat on:


7. Gibson: Dirty Fingers and the Designer Series

Gibson, like Fender, faced the challenge of adapting its classic designs to the demands of the 80s. While Wikipedia notes that “Gibson guitars are renowned for their rich tone and sustain” and Facebook states “Gibson guitars defined the rock sound of the 80s,” these quotes primarily refer to their traditional models. The 80s saw Gibson experimenting with features to appeal to the hard rock and metal crowd, even if it wasn’t always their most celebrated era.

🎸 Ratings for Gibson 80s Experimental Models

Aspect Rating (1-10)
Design & Aesthetics 6
Playability 7
Tone & Sound 8
Build Quality 7
Innovation 6

🤘 Detailed Analysis: A Classic Adapts

The 80s were a bit of a turbulent time for Gibson (the “Norlin era” is often criticized), but they still produced some gems and made efforts to stay current.

  • Dirty Fingers Humbucker: This high-output humbucker was Gibson’s answer to the high-gain craze. It delivered a powerful, aggressive tone perfect for driving tube amps into glorious saturation. Many players still seek out original “Dirty Fingers” pickups for their raw power.
  • The Designer Series: Gibson offered Explorers and Flying Vs with “factory custom” graphics like polka dots, lightning bolts, and animal prints. ⚡ These were bold, often garish, attempts to capture the visual excess of the decade. While not for everyone, they certainly made a statement.
  • The M-III: Gibson’s late-80s attempt at a true Superstrat. It featured a double-cutaway body, a 24-fret neck, and a humbucker-single-humbucker (HSH) pickup configuration with a Floyd Rose tremolo. It’s weird, it’s pointy, and honestly, we kind of love its quirky ambition. It showed Gibson was willing to step outside its comfort zone.
  • Our Perspective: While Gibson’s core models (Les Paul, SG) continued to be popular, their 80s experiments often get overlooked. These guitars, while sometimes polarizing, represent an interesting chapter in Gibson’s history as they tried to navigate a new musical landscape.

👉 Shop Gibson on:


8. Hamer: Boutique Quality for the Arena Stage

Hamer was one of the first “boutique” guitar brands, offering custom-shop quality instruments that could stand up to the rigors of arena rock. They were used by everyone from Cheap Trick to Judas Priest, proving that high-end craftsmanship could also be loud and proud.

✨ Ratings for Hamer 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 9
Tone & Sound 9
Build Quality 10
Exclusivity 8

💎 Detailed Analysis: Hand-Built for Heroes

Hamer guitars were known for their impeccable build quality, often featuring premium woods, flawless finishes, and meticulous fretwork. They offered a more refined alternative to some of the mass-produced shred machines.

  • The Standard: Their take on the Explorer, the Hamer Standard was a beautifully crafted instrument with a set neck and often a flame maple top. It offered incredible sustain and a powerful, articulate tone.
  • The Steve Stevens Model: A quintessential 80s shredder, the Steve Stevens signature model featured a sleek, double-cutaway body, a Floyd Rose tremolo, and a unique pickup configuration. It was designed for versatility and high-performance, capable of delivering everything from soaring leads to chunky rhythms.
  • Our Anecdote: One of our senior luthiers once worked on a vintage Hamer Californian from the late 80s. The neck joint was so perfectly fitted, it felt like a single piece of wood. That’s the kind of attention to detail that made Hamer special.
  • Why they were different: While other brands focused on mass production, Hamer maintained a more custom-shop approach, ensuring each instrument met incredibly high standards. This made them a favorite among discerning professional musicians.

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9. Ibanez: The RG, the JEM, and the Wizard Neck

If one brand truly defined the late 80s shred phenomenon, it was Ibanez. When they teamed up with Steve Vai to create the JEM and then unleashed the RG series, the game changed forever. Wikipedia states, “Ibanez gained popularity in the 80s for metal and shred guitars,” and further, “Ibanez RG series: known for fast necks and high-output pickups.” Facebook echoes this, saying “Ibanez became a favorite among metal and shred guitarists.” Our team at Guitar Brands™ can confirm: Ibanez was the brand for speed and technicality.

⚡️ Ratings for Ibanez 80s Shred Icons

Aspect Rating (1-10)
Design & Aesthetics 9
Playability 10
Tone & Sound 9
Build Quality 9
Innovation 10

🚀 Detailed Analysis: The Speed Machine

Ibanez didn’t just make guitars; they engineered instruments for peak performance. Their designs were ergonomic, their necks were lightning-fast, and their hardware was rock-solid.

  • The Wizard Neck: So thin it felt like it shouldn’t be able to hold string tension, yet it did! This ultra-thin, flat-radius neck was a revelation for players who needed to move across the fretboard with unparalleled speed. It truly lived up to its name, making complex runs feel effortless.
  • The Edge Tremolo: Ibanez’s own take on the locking tremolo system. Many pros still consider this the best version of the Floyd Rose design, offering incredible tuning stability and smooth operation, even after the most aggressive whammy bar abuse.
  • The RG Series: Launched in 1987, the RG (Roadstar Guitar) was an instant classic. It combined the Wizard neck, Edge tremolo, and powerful humbucking pickups into an affordable, high-performance package. It became the blueprint for countless shred guitars that followed.
  • The JEM: Steve Vai’s signature model, the JEM, was a groundbreaking collaboration. It introduced features like the “Monkey Grip” handle, the “Lion’s Claw” tremolo cavity (allowing for extreme upward pulls), and the iconic “Tree of Life” inlay. It was a guitar as visually striking as it was sonically versatile.
  • Our Personal Story: One of our guitar techs remembers getting his first Ibanez RG550 in 1988. “It felt like cheating,” he recalls. “Suddenly, all those fast licks I struggled with on my old guitar just happened. It was a game-changer.”

👉 Shop Ibanez RG550 on:


10. Jackson: The Sharkfin Inlays of Metal Royalty

When Randy Rhoads asked for a custom guitar that looked like a “Concorde” jet, Jackson was born. From that moment, Jackson became synonymous with heavy metal and hard rock, defining the look and sound of countless shredders. As Facebook states, “Jackson guitars were the choice for many metal players,” and the Jackson official site proudly proclaims their commitment to “inject the latest Jackson mayhem to your inbox.” Our team at Guitar Brands™ knows that if you wanted to play metal in the 80s, you wanted a Jackson.

🤘 Ratings for Jackson 80s Metal Machines

Aspect Rating (1-10)
Design & Aesthetics 10
Playability 9
Tone & Sound 10
Build Quality 9
Metal Cred 10

🎸 Detailed Analysis: Aggression Personified

Jackson guitars were built for speed, power, and an undeniable stage presence. Their designs were sharp, aggressive, and instantly recognizable.

  • The Soloist: The first popular “neck-through” Superstrat, the Soloist offered incredible sustain and upper-fret access. Wikipedia notes that the “Jackson Soloist: appreciated for aggressive tone and playability.” It was a high-performance instrument designed for the most demanding players.
  • The Dinky: A slightly smaller, more ergonomic Superstrat, the Dinky offered similar performance in a more compact package.
  • The Rhoads: Designed for Randy Rhoads, this iconic V-shaped guitar with its asymmetrical wings became a symbol of metal virtuosity. It was pointy, powerful, and utterly unique.
  • The Look: Sharkfin inlays and the “pointy” headstock that could poke an eye out in the front row. ❌ (Safety first, kids!) These aesthetic choices were crucial to their identity, clearly signaling their purpose: heavy metal.
  • Our Experience: We’ve seen countless Jackson guitars from the 80s that are still absolute beasts today. Their build quality, especially the USA-made models, was exceptional, making them highly sought after by collectors and players alike.

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11. Kramer: The King of the 80s and the EVH Connection

You cannot talk about 80s guitars without Kramer. With Eddie Van Halen as their primary endorser, they dominated the market, becoming the #1 selling guitar brand in the world in the mid-80s. Their story is a fascinating one, and it’s essential to consider various perspectives, including the insights from the featured video above.

👑 Ratings for Kramer 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 9
Tone & Sound 9
Build Quality 8
Iconic Status 10

🎸 Detailed Analysis: The EVH Effect

Kramer’s meteoric rise was largely due to its association with Eddie Van Halen, who famously played and endorsed their guitars. This partnership made Kramer the aspirational brand for a generation of guitarists.

  • The Baretta: One pickup, one volume knob, and a Floyd Rose. That’s all you needed. The Baretta was the epitome of minimalist shred, designed for pure, unadulterated rock power. It was simple, effective, and incredibly powerful.
  • The Pacer: For those who wanted a bit more versatility, the Pacer offered multiple pickups (often HSS or HSH) and more switching options, while still retaining the core Kramer playability and Floyd Rose stability.
  • The Video’s Perspective: The speaker in the featured YouTube video above highlights the prevalence of Kramer guitars in the 80s, noting that “the perception of Kramer and Fender in the 80s was that they were largely interchangeable.” This speaks to Kramer’s widespread adoption and how it challenged established brands. The video also mentions that “Kramer guitars are good, they are significantly less prevalent than BC Rich guitars, and many that are available are from Japan.” This is an important distinction, as many of the most iconic Kramers were American-made, but their global reach included Japanese production.
  • Our Anecdote: We once found an original 1984 Baretta in a pawn shop. It played like butter and sounded like a thunderstorm. The neck was incredibly fast, and the Floyd Rose was still perfectly functional. It was a testament to the quality that made them so popular.
  • The Fender Connection: The video also points out that “Fender acquired Kramer in 1990 and then subsequently sold it.” This illustrates the shifting landscape of the guitar industry and how even dominant brands can change hands. Today, Kramer is part of the Gibson Brands family, continuing its legacy with modern reissues.

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12. Music Man: The Silhouette and Early EVH Prototypes

Before Eddie Van Halen went to Peavey, he had a brief but legendary stint with Music Man, resulting in one of the most ergonomic and influential signature guitars ever made. Music Man, known for its precision and quality, brought a different flavor to the 80s guitar scene.

🎶 Ratings for Music Man 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 10
Tone & Sound 9
Build Quality 10
Ergonomics 10

🎸 Detailed Analysis: Precision Engineering Meets Rock ‘n’ Roll

Music Man guitars are renowned for their exceptional build quality, innovative features, and incredible playability. Their 80s offerings were no exception.

  • The Silhouette: A compact, incredibly playable guitar that became a studio staple. Its sleek, comfortable body and versatile pickup configurations made it a favorite among session musicians who needed an instrument that could cover a lot of ground.
  • The EVH Signature: This collaboration with Eddie Van Halen resulted in a guitar that, while short-lived under the Music Man name, became legendary. Now known as the Axis, it’s one of the most ergonomic guitars ever designed, with a comfortable asymmetrical neck carve and direct-mount humbuckers for maximum resonance.
  • Our Take: Music Man guitars from this era were often ahead of their time in terms of playability and construction. They felt incredibly solid and responsive, a testament to their meticulous manufacturing process. While not as flashy as some other 80s brands, their performance spoke volumes.

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13. Peavey: American-Made Workhorses

Peavey wasn’t just for amps; they were also building solid, American-made guitars that could take a beating and still sound great. In the 80s, they moved into the shred market with the Vandenberg signature model, proving their versatility.

💪 Ratings for Peavey 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 7
Playability 8
Tone & Sound 8
Build Quality 9
Reliability 10

🎸 Detailed Analysis: Built to Last

Peavey guitars were known for their robust construction and no-nonsense approach. They were instruments designed for working musicians who needed reliability above all else.

  • The T-60: While more of a 70s icon, the T-60’s reputation for being a “tank” carried into the 80s, showcasing Peavey’s commitment to durability.
  • Adrian Vandenberg (Whitesnake): His signature Peavey featured a unique “fiddle cut” on the body, a Floyd Rose tremolo, and powerful humbuckers. It was a serious shred machine, designed for a player who demanded both style and substance.
  • Reliability: You could probably drop a Peavey off a building and it would still be in tune. ✅ Okay, maybe don’t try that, but their reputation for being incredibly sturdy and road-worthy is well-deserved. Our team has seen Peavey guitars from the 80s still performing flawlessly decades later.
  • Value: Peavey often offered excellent value for money, providing professional-grade features and build quality at a more accessible price point than some of their competitors.

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14. Roland: When Guitars Met Synthesizers

The 80s were obsessed with the future, and that meant integrating technology into everything, including guitars. Roland, a pioneer in electronic music, brought us the G-707, a guitar that looked like it belonged in a sci-fi movie. It was a bold step into the world of guitar synthesis.

🤖 Ratings for Roland G-707

Aspect Rating (1-10)
Design & Aesthetics 6 (polarizing!)
Functionality (Synth) 8
Playability (Guitar) 7
Innovation 10
Future Shock 9

🚀 Detailed Analysis: The Synth-Axe’s Cousin

The Roland G-707 wasn’t just a guitar; it was a controller for Roland’s GR-700 guitar synthesizer. It represented a fascinating, albeit niche, direction for guitar technology in the 80s.

  • The Sound: Think Pat Metheny or early 80s King Crimson. It allowed guitarists to trigger synthesizer sounds, opening up a whole new palette of sonic possibilities. Imagine playing a guitar solo that sounds like a string section or a brass ensemble!
  • The Look: It’s… polarizing. Let’s leave it at that. 🤖 The G-707 featured a distinctive “stabilizer bar” that extended from the headstock to the body, designed to improve tracking for the internal synth engine. It definitely made a statement, whether you loved it or hated it.
  • How it worked: The guitar itself was a fairly conventional electric, but it housed a special hexaphonic pickup that sent individual string signals to the GR-700 synthesizer unit. This allowed for polyphonic synth sounds, meaning you could play chords and have each note trigger a different synth voice.
  • Our Thoughts: While not a “shred” guitar in the traditional sense, the G-707 was incredibly innovative. It pushed the boundaries of what a guitar could be and foreshadowed the integration of digital technology into instruments that we see today. It’s a testament to the experimental spirit of the 80s.

👉 Shop Roland Guitar Synth on:


15. Steinberger: The Headless Revolution

Ned Steinberger decided that headstocks were unnecessary weight and a source of tuning instability. The result was the L-Series “paddle” guitar, a radical departure from traditional guitar design that screamed “future!”

👽 Ratings for Steinberger 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 9 (for innovation)
Playability 9
Tone & Sound 8
Build Quality 10
Portability 10

🚀 Detailed Analysis: The Ultimate Travel Guitar

Steinberger guitars were not just visually striking; they were engineered for performance, stability, and portability.

  • Material: Made of carbon fiber and graphite (no wood!), these guitars were incredibly stable, impervious to changes in temperature and humidity, and virtually indestructible. This made them ideal for touring musicians.
  • The TransTrem: A truly revolutionary bridge that allowed you to transpose the entire guitar’s tuning (up or down a full step) with one lever, all while staying perfectly in tune. It was a marvel of engineering that blew our minds when we first encountered it.
  • Famous Users: Mark Knopfler of Dire Straits, Vito Bratta of White Lion, and Geddy Lee of Rush all embraced the Steinberger for its unique qualities. Its clean, articulate tone and incredible sustain made it suitable for a wide range of genres.
  • Drawbacks: Some players found the lack of a headstock visually jarring, and the proprietary double-ball end strings were a minor inconvenience. However, the benefits often outweighed these small issues.
  • Our Take: Steinberger guitars were a bold experiment that paid off. They proved that you didn’t need traditional materials or designs to create a world-class instrument. They were the ultimate “travel guitar” long before that term became common.

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16. Tokai: The “Lawsuit” Era and Beyond

Tokai made such good copies of Fenders and Gibsons in the late 70s and early 80s that they actually forced the American companies to up their game. This “Lawsuit Era” reputation for quality carried well into the 80s, establishing Tokai as a serious contender in the guitar market.

🇯🇵 Ratings for Tokai 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 8
Tone & Sound 9
Build Quality 9
Value (Vintage) 10

🎸 Detailed Analysis: Japanese Excellence

Tokai’s strength lay in its meticulous craftsmanship and dedication to replicating classic designs with incredible accuracy and often superior quality.

  • The Talbo: An aluminum-bodied guitar that looked like a chrome dream. While not as widely known as their copies, the Talbo was an innovative and visually striking instrument that showcased Tokai’s willingness to experiment.
  • Quality: Many 80s Tokai “Love Rock” models (Les Paul copies) and “Springy Sound” models (Strat copies) are considered by some to be better than the Gibsons and Fenders of that era, particularly during the “Norlin” period for Gibson. Our team has played many vintage Tokais that absolutely sing.
  • Why they were so good: Tokai invested heavily in quality control and used excellent materials, often surpassing the standards of their American counterparts at the time. This made them incredibly popular among discerning players who wanted vintage tone and feel without the vintage price tag (at the time).
  • Our Recommendation: If you’re looking for a vintage 80s guitar that offers incredible bang for your buck, a Japanese-made Tokai is definitely worth seeking out. Just be prepared to do some research, as their model names can be a bit confusing.

👉 Shop Tokai on:


17. Valley Arts: The Studio Musician’s Secret Weapon

Based in North Hollywood, Valley Arts was the go-to for session legends like Steve Lukather and Larry Carlton. These were not mass-produced guitars; they were high-end, custom-built instruments designed for the most demanding professional musicians.

🌟 Ratings for Valley Arts 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 10
Tone & Sound 10
Build Quality 10
Professional Grade 10

🎸 Detailed Analysis: The Pinnacle of Custom Superstrats

Valley Arts guitars were the embodiment of the “boutique” Superstrat. They combined classic aesthetics with modern performance features, all built with meticulous attention to detail.

  • The Vibe: High-end, custom-shop Superstrats, often featuring active EMG pickups for noise-free, powerful tones. These guitars were designed to be versatile, capable of delivering pristine cleans, crunchy rhythms, and searing leads.
  • The Scale: They often used a slightly shorter 24.75″ scale on Strat-style bodies, making them incredibly easy to play and bend strings on. This subtle change made a big difference in feel for many players.
  • Why Session Players Loved Them: Valley Arts guitars were known for their flawless fretwork, stable hardware, and incredible consistency. When you’re in a studio session and time is money, you need an instrument that performs perfectly every single time. Valley Arts delivered.
  • Our Anecdote: One of our team members once got to play a vintage Valley Arts guitar owned by a session pro. The neck felt like it was custom-molded to his hand, and the tones were simply pristine. It was an experience that truly highlighted the difference a high-end custom build can make.
  • Legacy: While the original Valley Arts company eventually went through changes, its influence on custom guitar building and the Superstrat design is undeniable.

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18. Washburn: From the A-Series to the N4

Washburn had a massive presence in the 80s, especially with their distinctive A-Series and later the iconic Nuno Bettencourt N4. They were a brand that wasn’t afraid to experiment with design and technology, offering a wide range of guitars for the evolving tastes of the decade.

🤘 Ratings for Washburn 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 8
Playability 8
Tone & Sound 8
Build Quality 8
Versatility 8

🎸 Detailed Analysis: A Diverse Offering

Washburn’s 80s catalog was diverse, ranging from more traditional designs to cutting-edge shred machines. They aimed to cater to a broad spectrum of players.

  • The A-Series: These guitars featured unique body shapes, often with sharp angles and distinctive headstocks. They were visually striking and often came equipped with powerful humbuckers and tremolo systems, making them popular in the hard rock and metal scenes.
  • The Wonderbar: Washburn’s own take on a top-mount tremolo system that required no routing. This was an innovative design that offered Floyd Rose-like functionality without permanently modifying the guitar’s body. It was a clever solution for players who wanted tremolo stability without the hassle.
  • The Nuno Bettencourt N4: While primarily a late 80s/early 90s icon, the N4’s development began in the late 80s. It featured the revolutionary “Stephen’s Extended Cutaway” for unparalleled upper-fret access, a Bill Lawrence L-500XL bridge pickup, and a Floyd Rose. It became a benchmark for ergonomic shred guitars.
  • The Look: Often featured bold graphics and vibrant finishes, perfectly capturing the visual excess of the 80s.
  • Our Take: Washburn guitars from the 80s often provided excellent value. They were well-built, played great, and offered features that rivaled more expensive brands. They’re a solid choice for anyone looking to capture that 80s vibe without breaking the bank.

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19. Yamaha: The Pacifica and the SG3000

Yamaha is the quiet giant of the music industry. While not always the flashiest, their commitment to quality and innovation has been unwavering. In the 80s, they offered everything from the sustain monster SG3000 to the versatile Pacifica series, proving their ability to compete across different segments.

🎶 Ratings for Yamaha 80s Guitars

Aspect Rating (1-10)
Design & Aesthetics 7
Playability 8
Tone & Sound 8
Build Quality 9
Reliability 9

🎸 Detailed Analysis: Understated Excellence

Yamaha guitars from the 80s were often overlooked in favor of more “rock star” brands, but they consistently delivered high-quality instruments that were a joy to play.

  • The SG3000: A masterpiece of sustain and craftsmanship, the SG3000 was a high-end, set-neck guitar often compared to a Les Paul. It was famously used by Carlos Santana and offered incredible tone and playability. Its heavy construction and brass sustain plate contributed to its legendary resonance.
  • The Pacifica: Launched in the late 80s, the Pacifica became one of the most successful Superstrat designs in history. It offered excellent playability, versatile tones (often HSS configurations), and a comfortable body shape, making it a favorite for beginners and seasoned pros alike.
  • The SE Series: Yamaha’s direct answer to the Kramer/Ibanez wave, the SE series featured Superstrat body shapes, humbucking pickups, and tremolo systems. These were solid, reliable guitars designed for the hard rock and metal market.
  • Our Take: Yamaha’s strength lies in its consistent quality and thoughtful design. While they might not have had the same “cool factor” as some other brands, their guitars were always well-built and performed admirably. If you’re looking for a dependable 80s workhorse, a Yamaha is an excellent choice.

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Conclusion

Guitar, albums, and movie posters on display.

After our deep dive into the kaleidoscopic world of 80s guitars, one thing is crystal clear: this decade was a golden age of innovation, style, and sheer sonic power. From the Japanese craftsmanship of Aria Pro II to the aggressive metal machines of Jackson and Kramer, the 80s guitar brands didn’t just make instruments—they created legends.

Positives across the board:

  • Innovative features like Floyd Rose tremolos and locking nuts revolutionized playability.
  • Bold designs with pointy headstocks and neon finishes defined the visual identity of the era.
  • Fast necks such as Ibanez’s Wizard made shredding accessible and comfortable.
  • High-output pickups pushed amplifiers into new tonal territories.
  • Boutique craftsmanship from brands like Hamer and Valley Arts offered professional-grade instruments.

Negatives to consider:

  • Some brands, like Gibson during the Norlin era, struggled with consistency.
  • Certain models (e.g., Fender HM Strat) were divisive among purists.
  • Vintage 80s guitars often require careful inspection due to wear on locking nuts and tremolo systems.
  • Some experimental designs, like Roland’s G-707 or Steinberger’s headless models, might not suit every player’s taste.

Our confident recommendation: If you want to capture the essence of the 80s shred and metal scene, Ibanez RG and JEM models, Jackson Soloist and Rhoads, and Kramer Baretta remain the gold standards. For players seeking boutique quality, Hamer and Valley Arts are unbeatable. And if you want a classic with an 80s twist, Fender’s HM Strat and Gibson’s Designer Series offer unique flavors.

Remember our earlier question: Did we answer what brands defined the 80s guitars? Absolutely. The decade was a melting pot of tradition and rebellion, with brands pushing boundaries in tone, design, and technology. Whether you’re a collector, player, or just a curious fan, these guitars tell the story of a decade that changed music forever.


👉 Shop iconic 80s guitar brands and models:

Recommended Books on 80s Guitars and Gear:

  • “The Electric Guitar: A History of an American Icon” by A.R. Duchossoir — Amazon
  • “Shred!: The Ultimate Guide to 80s Metal Guitar” by Rich Maloof — Amazon
  • “Vintage Guitar Price Guide” by Dave Hunter — Amazon

FAQ

black and silver telephone on black leather car seat

What are the key characteristics of 80s electric guitars that distinguish them from other eras?

The 80s electric guitars are best known for their Superstrat designs, featuring:

  • Pointy headstocks and aggressive body shapes.
  • Floyd Rose locking tremolos for dive bombs and whammy bar tricks.
  • Thin, fast necks like Ibanez’s Wizard for shredding.
  • High-output humbuckers designed for saturated distortion.
  • Neon and flashy finishes that matched the decade’s visual excess.
  • These features combined to create guitars optimized for the emerging metal and shred styles, differing from the warmer, rounder tones and traditional designs of the 60s and 70s.

Which 80s guitar brands are known for their unique designs and features?

Several brands stood out for their distinctive contributions:

  • Jackson: Sharkfin inlays, neck-through bodies, and the Rhoads model.
  • B.C. Rich: Extreme body shapes like the Warlock and Mockingbird.
  • Steinberger: Headless design with carbon fiber construction.
  • Roland: Synth-integrated guitars like the G-707.
  • Ibanez: Wizard necks and innovative tremolos.
  • Dean: The ML shape with massive V headstocks.
  • Valley Arts: Boutique craftsmanship with active pickups.

What are some notable guitar models from the 80s that are still sought after by collectors?

Collectors highly prize:

  • Ibanez RG550 and JEM (Steve Vai’s signature).
  • Jackson Soloist and Rhoads models.
  • Kramer Baretta and Pacer.
  • Charvel San Dimas models.
  • Fender HM Strat (cult classic).
  • Gibson Designer Series and Dirty Fingers pickups models.
  • Steinberger L-Series headless guitars.
  • Tokai Love Rock and Talbo aluminum-bodied guitars.
  • Valley Arts custom Superstrats.

These guitars are valued for their build quality, historical significance, and iconic sound.


How did 80s guitar brands influence the music of that era?

80s guitar brands shaped the sound and style of the decade by:

  • Enabling technical virtuosity with fast necks and stable tremolos.
  • Supporting the rise of heavy metal and shred guitarists like Eddie Van Halen and Steve Vai.
  • Encouraging visual flamboyance that matched the glam metal and hard rock aesthetics.
  • Pioneering new pickup and hardware technologies that expanded tonal possibilities.
  • Influencing songwriting and performance styles with gear that could handle aggressive playing and extended techniques.

What were the best selling guitar models of the 80s?

  • Kramer Baretta was the #1 selling guitar brand in the mid-80s.
  • Ibanez RG series quickly gained popularity for shred players.
  • Jackson Soloist and Rhoads models dominated metal scenes.
  • Fender Stratocaster remained a staple, with the HM Strat targeting new players.
  • Gibson Les Paul continued to sell well, especially with rock and blues players.

Which 80s guitar brands are still popular today?

Many 80s brands have endured or been revived:

  • Ibanez, Jackson, Fender, Gibson, ESP, and Kramer continue to produce modern versions of their classic 80s models.
  • Dean, B.C. Rich, and Charvel maintain loyal followings and offer reissues.
  • Steinberger and Valley Arts influence boutique builders and custom shops.
  • Yamaha and Washburn remain reliable choices for players seeking quality and value.

What are the most iconic guitar brands of the 80s?

The most iconic brands that defined the 80s guitar scene include:

  • Jackson (metal royalty).
  • Ibanez (shred innovation).
  • Kramer (EVH connection).
  • Charvel (hot-rodded Superstrats).
  • B.C. Rich (extreme metal shapes).
  • ESP (Japanese custom shop excellence).
  • Fender and Gibson (classic brands adapting to the times).

Are 80s guitars considered vintage?

Yes, guitars from the 1980s are generally considered vintage by collectors and players, especially as they reach 40+ years old. They represent a distinct era with unique design and technological innovations, making them highly collectible and often valuable.


What is a vintage guitar brand?

A vintage guitar brand refers to a manufacturer known for producing instruments during a past era that are now collectible due to their quality, historical significance, or unique characteristics. Many 80s brands like Ibanez, Jackson, Charvel, and Kramer have vintage status for their iconic models from that decade.


What guitars were used in the 70s?

The 70s guitar scene was dominated by:

  • Fender Stratocaster and Telecaster (classic rock, blues).
  • Gibson Les Paul and SG (hard rock, blues).
  • Rickenbacker (jangle pop, rock).
  • Martin and Gibson acoustic guitars for folk and singer-songwriters.
  • Early boutique brands like Alembic and Ovation.
  • The 70s favored warmer tones and traditional designs before the 80s shred revolution.

How do 80s guitars compare to modern guitars?

80s guitars often have:

  • Thinner necks and flatter fretboards optimized for speed.
  • More aggressive styling and finishes.
  • Locking tremolos for tuning stability.
  • High-output pickups for saturated distortion. Modern guitars may blend 80s features with contemporary tech like improved electronics, compound radius fretboards, and ergonomic bodies.

Are 80s guitars good for beginners?

Many 80s-style guitars can be excellent for beginners due to their playability and versatility, especially models with comfortable necks and stable tremolos. However, some vintage 80s guitars may require setup or maintenance, so new players should consider modern reissues or carefully inspected used instruments.


What should I look for when buying a vintage 80s guitar?

  • Check the locking nut and tremolo system for wear or damage.
  • Verify serial numbers and factory stamps for authenticity.
  • Inspect neck condition and fret wear.
  • Consider the original pickups and electronics or if they’ve been modified.
  • Research the brand’s history and model specifics to understand value.
  • Play the guitar or get a professional setup to ensure it suits your style.


Ready to shred with the spirit of the 80s? Dive into these legendary brands and find your perfect vintage or modern shred machine today! 🎸🔥

Review Team
Review Team

The Popular Brands Review Team is a collective of seasoned professionals boasting an extensive and varied portfolio in the field of product evaluation. Composed of experts with specialties across a myriad of industries, the team’s collective experience spans across numerous decades, allowing them a unique depth and breadth of understanding when it comes to reviewing different brands and products.

Leaders in their respective fields, the team's expertise ranges from technology and electronics to fashion, luxury goods, outdoor and sports equipment, and even food and beverages. Their years of dedication and acute understanding of their sectors have given them an uncanny ability to discern the most subtle nuances of product design, functionality, and overall quality.

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